Related Paintings of unknow artist :. | herde ,fresk i st | European city landscape, street landsacpe, construction, frontstore, building and architecture. 110 | konrad sparre | Still life floral, all kinds of reality flowers oil painting 32 | Cascade Cove usky Bay |
Related Artists:
Pietro Cignaroli
Italian , Verona 1665-1720
Francois Stroobant
Francois Stroobant (14 June 1819 Brussels - 1 June 1916 Elsene) was a Belgian painter and lithographer, and brother of the lithographer Louis-Constantin Stroobant (1814-1872) noted for his part in Flore des Serres et des Jardins de l'Europe. He attended the Brussels Academie des Beaux-Arts between 1832 and 1847, studying under Francois-Joseph Navez, Paul Lauters and Francois-Antoine Bossuet (1798 - 1889). In 1835 he worked in the studio of the lithographer Dewasme-Pletinckx in Brussels. Stroobant's subjects were mainly landscapes and architecture. He travelled extensively through the Netherlands, France, Germany, Switzerland, Italy, Spain and Hungary, exhibiting in the galleries of the Belgian towns Ghent, Antwerp and Brussels. His romantic painting style stayed constant throughout his career. He was founder and first director in 1865 of the Academie des Beaux-Arts at Sint-Jans-Molenbeek in Brussels.
Maurice Utrillo
French Painter, 1883-1955,French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones.